How Architect Suchi Reddy Creates Happy Homes
/SOURCE: Sotheby’s
Her designs are based on feelings and science, with a mission to foster well-being, says Elizabeth Fazzare
Suchi Reddy is a multi-hyphenate in every sense. In the past year, the architect, designer, artist and founder of New York-based studio Reddymade launched her first furniture collection, in collaboration with luxury Indian textile atelier Ekaya Banaras; curated an exhibition celebrating Indian craft at New York gallery Salon Design; created an installation for the world’s largest color library; taught architecture students at Columbia University and still found time to design a variety of residences, boutiques and public projects. Constant experimentation drives Reddy’s prolific practice, but she often describes it with a softer term: feelings.
“Conceptually, that’s the through line,” says Reddy, who established her studio two decades ago. “What are the feelings that I want to be able to explore? What are the feelings that my clients want to feel? And how can we use the environment to amplify that?” Though this approach may seem hard to apply to furnishings or finishes, scientific thought has long provided Reddy with a helpful framework. Using the principles of neuroaesthetics, a field of study that explores how art and beauty can positively affect people’s well-being, Reddy designs projects that not only look good, but make their inhabitants feel good, too. She calls this “form follows feeling.”
As diverse as Reddy’s work is, half is rooted in luxury residential projects: designs for ground-up construction, renovations and interior transformations that help homeowners capture desired moods in their most personal spaces. Often, this process involves parsing the references they “love and respond to” in order to create what they are really looking for: comfort.
“The opportunity to design something really tailored that conjures this beautiful sense of being enveloped is a joy to me,” explains Reddy. “I always say we work together [with clients] on our residential projects because we always end up with something that neither one of us had any preconceived notion of.” Balancing her self-confessed “modernist sensibility” with a client’s taste, contextual considerations and lifestyle leads to bespoke solutions. Aesthetically, Reddymade’s portfolio of homes is just as varied as their owners.
For contemporary artist Ai Weiwei, Reddy created a 2,000-square-foot linear extension for his upstate New York weekend house. Hexagonal in section and minimalist in material palette, it provides a new two-bedroom guest wing, each end capped by glazed porches. Strategically placed picture windows along one side offer views over the farm property, while protecting artworks in the central living area where they are displayed among his well-curated selection of antique and vintage furnishings.
In Beverly Hills, California, Reddy transformed the interior of an angular house into a soft, serene family abode, focusing on the opportunities provided by its natural lighting to illuminate different rooms and design objects throughout the course of the day. Integrating plush yet modern furniture with carpeting and rugs crafted an environment that feels cozy and intimate, even when surrounded by floor-to-ceiling glazing.
A pair of actor clients in New York listed their most important requests as “a giant table to read scripts, a projection screen and a big sculpture of a paper horse,” Reddy recalls. She gave them a custom space that incorporated all these elements, functionally and aesthetically, while also providing ample light and air in a setting that could help to inspire their work.
Similarly for Reddy, separation between work and life doesn’t exist—nor would she want it to. She spent this past winter in India where she is currently working on a house for her sister, who requested a covered courtyard and an image of a mandala—a geometric design with spiritual symbolism. Reddy commissioned a wrought-iron version as a shade structure for the courtyard: its intricate shadow reflects perfectly onto the home’s entry once a day.
“It’s that kind of magic that happens when one has a conversation with somebody about something you’re equally passionate about,” she explains. “A lot of architects will say they don’t like the hand-holding it takes to do residential work, but I find there is something in the personal connection that is so appealing. A lot of times in our world we’re left with this kind of generic experience. Your home is the only place you get to really tailor to your expression.”
Like any piece of her creative practice, Reddy sees this area as ripe for experimentation. “Our bodies are always the centerpiece of our homes, so when I’m doing residential work, I’m constantly thinking about neuroaesthetics,” she explains. “I’m thinking about the quality of light in a space; I’m thinking about the color of light; I’m thinking about transition in and out. Even if you create very different looks in different rooms, I’m making sure the transition between is seamless and that it offers wonder and discovery.” From architecture to art and even small details like glassware, these home projects are “incredible opportunities to develop a holistic environment,” Reddy says. “It’s like creating a cocoon for someone; a really beautiful one.”
SOURCE: Sotheby’s